|
2016北京舞蹈双周2016 Beijing Dance Festival
《降G大调小丑》A MajorClown in G Flat &《奔跑吧！》Sprint
演出日期/时间Date/Time: 2016.7.25 17:00
演出场馆：北京天桥艺术中心小剧场
Venue: Studio Theater, Beijing Tianqiao Performing Arts Center
演出票价Ticket price:￥380/280/180/99
节目一：《降G大调小丑》
Program 1: A Major Clown in GFlat
编舞/服装/舞者：莫嫣
Choreography/Costume/Dancer: Jennifer MOK
音乐：加奇·拜厄德、舒伯特
Music: Jaki BYARD, Schubert
灯光：钟宝仪
Lighting: Coco CHUNG
节目简介：
每个人都有弱点，无论是能力或性格上的缺陷，还是生活上的遗憾，我们经常被这些阴暗的影子消磨自己的意志。《降G大调小丑》将不完美的我们比作穿梭在人生舞台间的小丑，反思人生从逆境的磨练中重新上路的乐观态度。无论内心有多少痛苦、忧伤与无奈，亦或是自身有多少缺点，在人生的舞台上我们应该保持微笑，笑对挫折，在阴暗中寻找光明。
Program Description :
Nobody is perfect. A commonly known fact as it is, people are stillbothered by our own imperfections. Oftentimes, such thoughts are like shadowsthat tend to haunt us and drag our spirits down. A Major Clown in G Flat attempts to bring out a way of walking outfrom the dark and being on track again by trying to learn from the philosophyof a clown.
编舞简介：
莫嫣，生于香港。2005年毕业于香港演艺学院，主修芭蕾舞，次年修读现代舞。2007年于在学期间曾赴澳洲艾斯普森舞蹈团交流并随团到美国巡回演出。同年加入城市当代舞蹈团，曾随团赴欧、美、亚洲多国巡演。2014年离开城市当代舞蹈团并成为自由舞蹈工作者至今。
About the Choreographer :
Bornin Hong Kong, Jennifer MOK graduated from The Hong Kong Academy for PerformingArts in 2005 majoring in Ballet and continued with Modern Dance in 2006. Sheundertook an internship with Expressions Dance Company in Australia for its UStour in 2007 before joining the City Contemporary Dance Company in the sameyear. She left the company in 2014 to become a freelance artist and has workedindependently until now.
媒体评论：
“作品纯粹以一个人的表演去撑起整个舞台，尽显莫的大胆野心……”《舞蹈手扎》
Press Review:
“The entire stage was sustained byher alone. It is a manifestation of MOK’s courage and ambition….”Dance Journal
节目二：《奔跑吧！》
Program 2 :Sprint
舞团：国立编舞中心灯塔舞蹈团（法国）
Company: Le Phare, CentreChorégraphique National du Havre Normandie (FR)
编舞：埃马努埃莱·沃迪
Choreography: EmmanuelleVO-DINH
音乐：大卫·蒙梭
Music: David MONCEAU
灯光/布景：弗朗索瓦·米歇尔
Lighting / Set: Fran？oiseMICHEL
服装：可琳恩·珀蒂皮埃尔
Costume: CorinnePETITPIERRE
舞者：玛艾瓦·坎奇
Dancer: Maeva CUNCI
节目简介：
舞者在舞台上兜兜转转，不断重复地来回奔跑，过程中出现了各种起伏。编舞埃马努埃莱·沃迪特意从舞团中挑选了最讨厌跑步的舞者担当演出，来回往复的奔跑，并非追求速度与距离，而是挖掘精疲力竭之时仍不断坚持的意志力，寻找体力透支时敞开心灵而展现的真实情感。单一的动作、有限的空间和形式、简约的设计等迫使编舞将注意力集中在节奏、呼吸以及身体的微妙变奏中。沉重的呼吸、疲惫的身体、挥洒的汗水一步一步把观众引入奔跑的圈套中。
Program Description :
Running on stage means going in a circle, constantly going back over one’ssteps even if the paths vary, creating multiple curves and scopes. The act ofrunning is not about speed nor distance but about sensitising the mind when thebody is exhausted. The density of constraints - the pattern ofa unique action, the narrowness of the space and its form- subtly highlight the rhythm, breath and body weight in hypnotic variations.The concrete nature of the act of running intertwines with other layers ofpoetic perception. Through the filter of running, multiple presences emerge andtouch the audience. The latter are in the grip of a heightened sensoryperception, constantly thrown off balance by the spatialization of the sound ofthe running, empathy for a sprint they are watching and also feeling its paceinside.
舞团简介：
国立编舞中心灯塔舞蹈团专门制作及上演沃迪的作品。沃迪是舞团的编舞及艺术总监。国立编舞中心是法国全国十九个国立编舞中心之一，以推动法国舞蹈发展为己任，2012年起由沃迪出任艺术总监。沃迪的舞蹈训练包括芭蕾及美国现代舞，及后建立起自己的舞蹈语言及风格。她特别喜欢利用即兴手段，与众多不同艺术家碰撞。她的作品崇尚简约，她对时空的概念尤感兴趣，特别是人对它的感知及由此衍生的种种影响。
About the Company :
Le Phare, Centre Chorégraphique National du Havre Normandie is an artsorganization whose main purpose is to produce and present choreographic worksby its choreographer/director Emmanuelle VO-DINH. Being one of the 19 nationalchoreographic centres, CCN du Havre Normandie aims to become a hub for artiststo develop a culture of choreography and to build references to contemporarydance for the artists as well as the audience. Since 2012, VO-DINH was thedirector of the centre. Surrounded by close collaborators, VO-DINH works in anopen-ended process that emphasizes improvisation. While her choreography oftendraws on minimalism, she has been particularly fascinated with time, how weperceive it and are impacted by it.
媒体评论：
“《奔跑吧！》是一部引申很多提问的作品，它没有给予答案，亦没有提供规条，只透过近乎极端的法则令人无法无视问题所在，固执自我却令人非常喜欢。”运动网
Press Review:
“Sprint is a piece aboutquestions, always open-ended, delivering no rules unilaterally while compellingrecognition through a radical principle. A very pleasing and intransigentmodesty.” mouvement.net |
